Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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TINTORETTO, Jacopo
The Origin of the Milky Way

ID: 43063

TINTORETTO, Jacopo The Origin of the Milky Way
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TINTORETTO, Jacopo The Origin of the Milky Way


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TINTORETTO, Jacopo

Birth Year:, 1518. Death Year:, 1594  Related Paintings of TINTORETTO, Jacopo :. | The Birth of John the Baptist, detail ar | Joseph and Potiphar's Wife r | Saint George,The Princess and the Dragon | Judith and Holofernes (detail) s | Baptism of Christ sd |
Related Artists:
Jan Bogumil Plersch
painted Tadeusz Kosciuszko falling wounded in the battle of Maciejowice in 1794
Francis Campbell Boileau Cadell
Scottish, 1883-1937, was a Scottish painter associated with the Scottish Colourists. Francis Cadell was born in Edinburgh and, from the age of 16, studied in Paris at the Academie Julian, where he was in contact with the French avant-garde of the day. While in France, his exposure to work by the early Fauvists, and in particular Matisse, proved to be his most lasting influence. After his return to Scotland, he was a regular exhibitor in Edinburgh and Glasgow, as well as in London. He painted landscapes, interiors, still life and figures in both oil and watercolour, but he is particularly noted for his portraits, depicting his subject with vibrant waves of colour. He enjoyed the landscape of Iona enormously, which he first visited in 1912 and features prominently in his work.
John Henry Twachtman
American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,






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